Tuesday, 30 November 2010

Open Seminar Announcement

Centre for Psychoanalytic Studies

Wednesday 8 December 2010

Open Seminar (Colchester Campus)

Reverie in psycho-social research method (Wendy Hollway, Open University)

Abstract: Social science research is underpinned by a positivist, cognitive analytic epistemology. Psychoanalysis, especially in Bion's concept of reverie, is based on a different kind of knowing which is widely seen as central to clinical technique. How does reverie translate into psycho-social research methodology, with what effects? In this talk, I use examples from my research on the identity transition involved when women become mothers for the first time; examples that pertain to reflexive field notes, psychoanalytic observation, data analysis and writing cases. The direction of these methods is discussed in terms of subjectivity, objectivity, validity and ethics in research knowing.

Wendy Hollway is Professor in Psychology at the Open University. She is interested in applying psychoanalytic principles to theorising subjectivity, to methodology and to empirical research on identity. Her current ESRC-funded Fellowship 'Maternal Identities, Care and Intersubjectivity' uses previous data derived from free association narrative interview and psychoanalytic observation methods and develops epistemological and ethical, as well as ontological, implications. She is working on a book provisionally entitled 'Mothers' Knowing/ Knowing Mothers'.

Discussant: Professor R D Hinshelwood (Centre for Psychoanalytic Studies)

The Open Seminars all take place in room 4N.6.1 from 5.00-6.30pm

All Welcome

T 01206 873640 E cpsadmin@essex.ac.uk www.essex.ac.uk/centres/psycho

Wednesday, 24 November 2010

Seminar announcement

Centre for Psychoanalytic Studies

Friday 26 November 2010

Open Seminar (Southend Campus)

Found objects and mirroring forms (Dr. Ken Wright)

Abstract: I use some comments of Henry Moore about his method of working to consider the relation between outer form and inner experience in the creation of a work of art. Moore valued his ‘found objects’ because they held the seeds of his sculptural ‘ideas’ and although he made no connection between such forms and the ‘forms of feeling’ (Langer), he still described his sculptures in living terms, as though they had an inner life. The idea that physical objects are able to contain ‘forms of feeling’ leads to Winnicott’s work on transitional objects, and a view of the baby’s bit of blanket as a first ‘found object’. I follow this theme through Winnicott’s later work on the mother’s face as the child’s first mirror, and Stern’s work on maternal attunement, and I use their ideas to throw light on aesthetic activity and the process of artistic creation.

Dr. Ken Wright is a member of the British Psychoanalytic Society, Tavistock Society of Psychotherapists and Society of Couple Psychoanalytic Psychotherapists. He is also Patron of the Squiggle Foundation. At different times a general psychiatrist and GP, he now works exclusively as psychoanalyst/psychoanalytic psychotherapist in private practice. He has published many papers and articles from a Winnicottian perspective but is best known for his book Vision and Separation - Between Mother and Baby which was published by Free Association Books, 1991 and awarded the Margaret Mahler Literature prize in 1992. His second book, Mirroring and Attunement: Self-realization in Psychoanalysis and Art, was published last year by Routledge.

The Open Seminars all take place in Southend Lecture Room 5 at 5:30pm.

All Welcome

T 01206 873640 E cpsadmin@essex.ac.uk www.essex.ac.uk/centres/psycho

Monday, 25 October 2010

Remote Control: Psychoanalysis and Television

LAST CHANCE TO BOOK - REMOTE CONTROL: PSYCHOANALYSIS AND TELEVISION

Saturday 30 October 2010

Day Conference at the Anna Freud Centre

Psychotherapists, psychoanalysts, academics, programme makers and presenters discuss the emotional function and ethics of TV in the modern world.

SATURDAY 30TH OCTOBER 9.30am - 5.00pm

Candida Yates (Introduction)
'Staging the Debate: Remote Control: Television, Media and the Inner World'

Panel 1: Television from both sides of the couch
How does TV culture infiltrate the therapeutic space, and how is psychotherapy represented on TV?

Brett Kahr: Television as Rorschach
Caroline Bainbridge: Psychotherapy on the Couch: Exploring the Fantasies of In Treatment

Chair and respondent: Dan Chambers (Independent producer and former director of Programmes for Ch 5)

Panel 2: Ethics and Therapy on TV
The ethical dilemmas of putting real lives on TV

Richard McKerrow (producer) discusses his Marchioness Documentary;
Oliver James discusses his TV programmes including Under Fives; Room 113 and Men on Violence.

Chair and Respondent: Valerie Sinason (Psychoanalyst)

Panel 3: Watercooler Moments: TV as Transitional Object
TV offers the possibility of shared cultural experiences. Does it also have therapeutic potential?

Tom Sutcliffe (presenter and journalist)
Sue Vice (Professor of English)
Carol Leader (psychotherapist; former presenter and actor)

Chair: Sara Ramsden (Consultant executive producer for the BBC)

Panel 4: Roundtable discussion
Barry Richards - summary and reflections with speakers from the day

This conference is organised in conjunction with Media and the Inner World http://www.miwnet.org/

FRIDAY 29 OCTOBER
The Saturday Conference is preceded by an 'in conversation' with award-winning television scriptwriter Laurence Marks and psychoanalyst Valerie Sinason.

Laurence Marks is a Bafta award winning writer and producer of shows and plays for stage and screen; he is well known for his collaborative writing work with Maurice Gran. His TV work includes a number of highly successful comedy sitcoms, including: Shine on Harvey Moon (1982), Birds of a Feather (1989-1998), The New Statesman (1987-1992), Goodnight Sweetheart (1993-99) and Love Hurts (1992-94). He has also written for the theatre, including the acclaimed play Dr. Freud Will See You Now Mrs. Hitler (BBC Radio 4, and Tricycle Theatre, 2007) and the West End Musical Dreamboats and Petticoats (nominated for a Lawrence Olivier Award for 'Best New Musical', 2010).


Registration:

FRIDAY EVENING: £12 or £10 for Friends of the Freud Museum

SATURDAY: £50 Full Price; £35 Students and unwaged (£5 discount for Friends)

Please click here for online booking http://www.freud.org.uk/shop/CONFERENCE__REMOTE_CONTROL__PSYCHOANALYSIS_AND_TELEVISION.html

Or please send a cheque payable to 'The Freud Museum', including your name, address, telephone number and profession.


Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Tuesday, 28 September 2010

Open Seminar Schedule

from the Centre for Psychoanalytic Studies, University of Essex (Colchester Campus)

27 October 2010:

Terrors of Growing Old – Ageism in Therapeutic Care with Older People (Paul Terry)

Paul Terry is a Consultant Clinical Psychologist and Specialty Lead for Older People in a Specialist Mental Health Team for Older People in Hertfordshire Partnership NHS Foundation Trust.

17 November 2010:

Found objects and mirroring forms (Dr Ken Wright)

Dr. Ken Wright is a member of the British Psychoanalytic Society, Tavistock Society of Psychotherapists and Society of Couple Psychoanalytic Psychotherapists. He is also Patron of the Squiggle Foundation.


08 December 2010:

Reverie in psycho-social research method (Wendy Hollway)

Wendy Hollway is Professor in Psychology at the Open University.




The Open Seminars all take place in room 4N.6.1 from 5.00-6.30pm

All Welcome

T 01206 873640 E cpsadmin@essex.ac.uk www.essex.ac.uk/centres/psycho

Wednesday, 28 July 2010

Conference Announcement

The Centre for Psychoanalytic Studies
University of Essex, Colchester

Presents a One-day Conference

Why the Mainstream Needs its Margins: The Function
of the Marginalised in Psyche and Society

Saturday, 13 November 2010

For decades sociologists, politicians, historians and identity theorists have been concerned to reintegrate invisible and discarded groups from the margins of society. We have learned to listen for voices beyond the boundaries of dominant groupings – regarding ethnic or gender identities; the criminalised and disenfranchised; the migrant and the underclass. But the margins are at the same time some of the most highly visible aspects of society. Daily the media turn their lens on immigrants, on anti-social youths, on gays, on ethnic minorities, and on the mentally ill. The engendering of moral panic over those who exist on the margins is central to the way non-marginal and mainstream identities function. This one-day conference brings together sociological, historical and psychoanalytic perspectives to examine the margins as a symptom of so-called ‘normal’ identity. What do we project onto the margins, how are they identified with, how do they operate as part of the psychic economy of the mainstream? Could a centre exist without its margins?

Panels on:

What Happened to Deviance?
Immigration: Fantasies and Realities
Panic, Trauma and Making Enemies
Marginalising the Fear of Madness

Speakers include:

Simon Clarke (UwE), Colin Samson (Essex), Karl Figlio (Essex), Jeffrey Murer (St Andrews), Eamonn Carrabine (Essex), Tim Dartington (Tavistock Institute), Joan Busfield (Essex), Aaron Balick (Essex)

Cost: £55 for the day (£35 students/unwaged)

For booking and registration see attached booking form, or contact Debbie Stewart: Centre for Psychoanalytic Studies, University of Essex, Wivenhoe Park, Colchester C04 3SQ Tel: 01206 873640; Fax: 01206 872746; cpsadmin@essex.ac.uk

Thursday, 13 May 2010

Open Seminar

Centre for Psychoanalytic Studies
University of Essex

Wednesday 2nd June 2010

Room 4N.6.1

5.00pm – 6:30pm

Dr Leon Burnett

‘The Construction of a Fantasia: Dostoevsky’s Meek Girl and Two Russian Suicides’

Dr Leon Burnett is a Reader in Literature and Dean of the Faculty of Humanities and Comparative Studies at the University of Essex. His publications are mainly in Comparative Literature. Research areas of particular interest include modern European poetry, literary translation, myth in modern culture, and Russian literature. He has edited F. M. Dostoevsky (1821-1881): A Centenary Collection (1981) and Word in Time: Poetry, Narrative, Translation (1997), and is currently co-editing The Art of Accommodation: Literary Translation in Russia (publication expected later this year). From 1992 to 2000 he was the main editor of New Comparison: a Journal of Comparative and General Literary Studies.

Abstract: In A Writer’s Diary (October, 1876), Dostoevsky juxtaposed two reports of recent and contrasting female suicides, concluding with the question “which of these two souls bore more torment on earth”? The next instalment of the journal (November, 1876) contained a single piece of writing, “The Meek Girl: A Fantastic Story”, clearly based on the second of the two contemporary cases. The suicides served to bring together in Dostoevsky’s mind concepts that he had previously treated separately and, in his view, unsuccessfully: effacement (in The Double) and enigma (in The Idiot). Stimulated by a desire to comprehend the “psychological sequence” of events leading up to the act of suicide, Dostoevsky returned in “The Meek Girl” to these concepts, transferring the focus from male protagonists to an unnamed female character. I shall be looking at how, in this late work, he took up the challenge of finding an appropriate form to express an impenetrable theme.

ALL WELCOME

Details of all our Open Seminars can be found at:

http://www.essex.ac.uk/centres/psycho/news_and_seminars/seminars.aspx

For further information, or if you are interested in presenting an Open Seminar, please contact:

Tel: 01206 873075 / Email: cpsadmin@essex.ac.uk

Thursday, 29 April 2010

Open Seminar Announcement

Centre for Psychoanalytic Studies
University of Essex

Wednesday 12th May 2010
Room 4N.6.1
5.00pm – 6:30pm

Dr Julia Borossa

‘The Extensibility of Psychoanalysis: colonialism, post-colonialism and hospitality’


Dr Julia Borossa is Principal Lecturer and Director of the Centre for Psychoanalysis at Middlesex University. She has published widely on the history of the psychoanalytic movement and on the politics and cultures of psychoanalysis. Most recently, she has edited (with Ivan Ward), a special issue of the journal Psychoanalysis and History entitled Psychoanalysis, Fascism, Fundamentalism (Edinburgh: Edinburgh U.P. 2009).

Abstract: Using a theoretical framework informed by both post-colonial theory and psychoanalysis, this paper will attempt to partially address the question as to whether or not psychoanalysis is promoting a form of subjectivity that is in line with certain political formations, and whether this is linked to its theoretical foundations or to its institutions. In this respect, a central theme of the paper will be the vicissitudes of the deployment of psychoanalysis beyond a Western context by specifically asking who, and what, is marginalised within the movement and why. What are the limits of the hospitality and the extensibility of psychoanalysis?

To illustrate these concerns, the paper will turn to the figure of the psychoanalyst Masud Khan, who emigrated to London from the Indian subcontinent in 1946 and became an important albeit controversial figure within the British Psychoanalytic Society. Khan is the subject of two recent biographies, and a widely discussed memoir by a former patient, the Cambridge economist Wynn Godley. His life and transgressive career, as well as the stories generated about him within the context of British psychoanalytic culture, will be used to raise the question of psychoanalysis’ theoretical difficulties in containing racial and cultural otherness.

ALL WELCOME

Monday, 19 April 2010

Childhood and Creativity: An Apprehension of the Symbolic

Day Conference Sat. 29th May 2010

Anna Freud Centre, London, NW3

What kind of 'creative act' is required to become an adult human being? Adult desires are formed within early attachments, forged on the body, shaped by social prohibitions and articulated through words. Childhood remains not as a residue of development but as a creative force throughout life. This conference explores the theory and practice of child psychoanalysis as an aspect of all psychoanalysis, drawing on the work of two significant figures: Françoise Dolto and Donald Winnicott.

A household name in France due to her many public broadcasts on child welfare, Françoise Dolto is little known in the English speaking world, with only two of her 30 books translated. A colleague of Jacques Lacan, she worked as one of the first child analysts in France, using her highly developed intuition to work with children who might otherwise have been dismissed as untreatable.

What makes Dolto so interesting is that she combines a variety of different psychodynamic therapeutic perspectives to enable the understanding of children and parents, rather than remaining in a conventional, analytically bounded framework. She calls upon psychosomatic understanding, and couple, family and group therapeutic resources within her work as a child psychoanalyst. She considers the consequences of transgenerational processes, suggesting, for example, that it took three generations to create a psychotic individual.
(from the introduction to Theory and Practice in Child Psychoanalysis: An introduction to the work of Françoise Dolto ed. Guy Hall, Françoise Hivernel, and Sian Morgan)

KEYNOTE SPEAKERS

Christopher Reeves (UK)
(Psychotherapist and chair of the Squiggle Foundation)
'Let's pretend …': exploring the links between imagination, creativity, play and interpretation

Sian Morgan (UK)
(Psychotherapist and author)
Separation and Creativity: when 'lets pretend' goes wrong and transitions fail

Sharon Kivland (UK & FR)
(Artist and lecturer)
It is only the first step that counts: Desire held in check in three works of art

Tamara Landau (FR)
(Psychoanalyst and sculpture)
Creativity and the symbolic structuring of time and desire in Winnicott and Dolto

Bice Benvenuto (IT)
(Psychoanalyst)
Little Sammy's magic face and the poetics of the unconscious

Ann Marie Canu (FR)
(Psychoanalyst and child psychiatrist)
Title TBC

Joan Raphael-Leff (UK)
(Psychoanalyst and author)
'Dreamers by daylight' - some childhood sources of creativity.

CHAIR:
Isobel Urquhart
(Psychotherapist and lecturer, Homerton College Cambridge)

REGISTRATION
£60 Full Price / £45 Students and Concs
(£5 discount for Friends of The Freud Museum)

For online registration, please click HERE

Or please send a cheque payable to 'The Freud Museum'. Please include your name, address, profession and contact phone number.

The Freud Museum, 20 Maresfield Gardens, London NW3 5SX Tel: 020 7435 2002 Email: info@freud.org.uk

Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Tuesday, 13 April 2010

Sarah Pucill at the Freud Museum

Film screenings and discussion

Wednesday 21st April 2010 7pm

Sarah Pucill

Taking My Skin, 2006
16mm b&w, sound 35min
Fall in Frame, 2009
16mm b&w, sound 18min

The screening will be followed by discussion between Adriana Cerne and the filmmaker, chaired by Dr Margherita Sprio from University of Essex.

I’m not aware of you taking my skin’, says the artist’s mother to the camera as it zooms in on her eye as close as the lens will allow. Taking My Skin tracks a dialogue between the artist and her mother. Their exchange ranges from narrating the filming process ‘in the moment’ to relations in an earlier time – ‘how long do you think it takes for a child to become separate?’ Throughout the journey film spaces continuously dissolve and collapse only to separate again. Formally and thematically, the film is an exploration of closeness, of synching, and the threat this poses to the self.

Freudian themes will be explored in two of Sarah Pucill’s films using psychoanalytic tropes of Projection, Surface and Screen. Inspired by feminist post Freudian writing which has challenged the phallo-centrism in Freud, Pucill’s films give pride of place to the mother-daughter and 'other' female to female relationships. The films that will be screened and discussed include the award-winning Taking My Skin (35min, 2006) as well as her most recent film Fall In Frame, (18min, 2009).

Sarah Pucill’s films have been screened and won awards at major international film festivals, have been televised and screened internationally in galleries and museums. She lives and works in London and is a Senior Lecturer at University of Westminster.

Adriana Cerne is a Doctoral candidate at the University of Leeds, researching feminist counter-cinema films and filmmaking from the 1970s to the early 1980s, with a focus on the early work of Chantal Akerman. She contributed to the book Psychoanalysis and the Image: Transdisciplinary Perspectives, which forms part of Blackwell’s New Interventions in Art History series. She teaches Visual Culture and Theory at the University of the Arts London and at the Royal College of Art.

Dr Margherita Sprio is currently a lecturer in Art History and Film in the Department of Art History and Theory at University of Essex. She is currently writing a manuscript called Contemporary Art and Film that explores the continued relationship between art and film history and it addresses how film makers such as Sarah Pucill and John Maybury, (amongst others) navigate their own practice in relation to contemporary debates about visual culture.

Tickets: £8 / £5 Friends. Please pay on the door, but phone or email to secure a place.

Tel: 020 7435 2002 Email: info@freud.org.uk

Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Thursday, 8 April 2010

The Freud Memorial Lecture and Reception

Thursday 6th May 2010 7pm

Leadership – Theory and Practice

Michael Brearley

How do leaders and leadership skills facilitate the functioning of a work group, a team or an organisation? How are groups constituted and what undermines them? What are the emotional bonds that bind people together in a common enterprise? And what are the functions of leadership?

These are some of the questions that Mike Brearley will address on the day of the general election in his Freud Memorial lecture, drawing on his diverse experience as former England cricket captain and (a far more dangerous undertaking) President of the British Psychoanalytical Society.

Mike Brearley is a psychoanalyst and sports journalist. He studied philosophy at Cambridge University at undergraduate and post-graduate level while pursuing a career as a County cricketer with Middlesex. As England captain he won 17 of 31 games, losing only 4, an outstanding record that has never been bettered. He was awarded the OBE in 1978 and published The Art of Captaincy in 1985. He works in private practice in London, and teaches and writes on psychoanalysis.

Venue: The Anna Freud Centre, Maresfield Gardens NW3, followed by a reception at the Freud Museum.

£25 / £20 Friends and students. Booking essential.

For online booking click here or please send a cheque payable to 'The Freud Museum London' :

The Freud Museum, 20 Maresfield Gardens, London NW3 5SX.
Please include your name and address and a contact telephone number.

This is a fundraising evening, and all proceeds from the talk will go towards the conservation, research and educational work of the Freud Museum.

Tel: +44 (0) 20 7435 2002 Email: info@freud.org.uk

Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Friday, 2 April 2010

Lecturer Post

The Centre for Psychoanalytic Studies is seeking to appoint a Lecturer/ Senior Lecturer/ Reader to teach on and play a major role in the development of its new Foundation Degree (and BA Hons) in Therapeutic Communication and Therapeutic Organisations aimed at those working with troubled, challenging, or vulnerable adults. The successful applicant will take an active part in teaching and developing this programme working closely with the team staffing a parallel programme for those working with children.

Applicants must be a member of the BPC, UKCP, or equivalent, must have a relevant MA/MSc or equivalent professional qualification, and must have experience of working with adults in a therapeutic or caring context. Experience in relevant teaching or demonstrable potential to achieve this is applicable for Lecturer level appointments. For senior lecturer appointments substantial experience in teaching and academic leadership is essential. The post is available either full-time or half-time (with proportionate duties) to suit the needs of different applicants; we aim to appoint the strongest applicant on whichever basis. This post will be worked between both the Colchester and the Southend campuses.

Please use the link below for a full job description, person specification and further information relating to this post. Please read this information carefully before applying for this post as it contains details of documents that must be attached to your application. Applications should be made on-line, but if you would like advice or help in making an application, or need information in a different format, please telephone (01206 874588/873521).

Applications can be made via the University HR website http://www.essex.ac.uk/vacancies/.

Thursday, 1 April 2010

Sigmund Freud's Dora: A case of mistaken identity - Film Screening and Discussion

Wednesday 14th April 2010, 7pm

Anthony McCall, Claire Pajaczkowska, Andrew Tyndall, Jane Weinstock and Ivan Ward
1979, 16mm colour, 40min

Screening followed by discussion with two of the film makers, Claire Pajaczkowska and Ivan Ward

30 years after it was made, the position of Sigmund Freud's Dora: A case of mistaken identity within the world of independent film is assured. In 2008 it was shown at Tate Modern for the 50th anniversary celebrations for the film theory journal Screen, and in 2009 it inaugurated the new Whitechapel Gallery film programme, screened four times with other works and public discussions. But the film is not just an 'art house' film. It is above all the reading of a text, Freud's 'Dora' case, what it shows us about Freud's work and what we can learn from it today.

In 1899, Sigmund Freud began treatment with an 18-year-old girl who was brought to him for analysis by her father after she had written a suicide note. Freud was eager to use this case to demonstrate the hypotheses laid out in his Interpretation of Dreams but after only three months of treatment the young woman walked out, without being cured.

Five years later Freud published an account of this failed treatment, calling it a “Fragment of an Analysis” and giving his patient the name Dora – that of a servant in his household.

Dora has been a focus for the appropriation of psychoanalysis by feminist theory. Questions about the exchange of women, the representation of female sexuality, and the marginal or contradictory position of women in language, have been discovered in her story.

But the descriptions Freud gives of Dora are not innocent documentary facts. Freud constructs her as a character in the structure of his “novella”, as a recollection of the words he remembers her having spoken, as an object of his scientific detective-work. Thus the presentation of her sexuality is also a function of these analytic and narrative processes.

The psychoanalytic method itself is a process of reading the language and symptoms of the patient; Freud’s written case history is a reading of that reading, which we in turn read.

The film, Sigmund Freud’s Dora starts from the position that these processes of representation are not only a factor in psychoanalytic texts. They exist no less in the conventions of film editing than they do in advertising; no less in the iconography of the mother than they do in pornography.

Claire Pajaczkowska is a senior lecturer at the Royal College of Art. She is the author of Perversion in the Ideas in Psychoanalysis series, and co-editor, with Ivan Ward, of Shame and Sexuality: Psychoanalysis and Visual Culture (2009)

Ivan Ward is director of education at the Freud Museum. He is the author of Introducing Psychoanalysis (Icon Books) and Phobia and Castration in the Ideas in Psychoanalysis series, which he edits.

Copies of the book The presentation of case material in clinical discourse (ed. Ivan Ward; Karnac Books) will be available on the night.

Tickets: £8 / £5 Friends. Please pay on the door, but phone or email to secure a place.

Tel: 020 7435 2002 Email: info@freud.org.uk

Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Tuesday, 30 March 2010

Open Seminar Announcement

Centre for Psychoanalytic Studies
University of Essex

Wednesday 28th April 2010

Professor John Clarke

‘Psyche and Cosmos: The Emergence of Order out of Chaos’


John Clarke is Professor Emeritus in the History of Ideas at Kingston University, London. He studied philosophy at UCL and Birkbeck College, and has lectured in philosophy at McGill University, Montreal, the University of Singapore, and Kingston University. His publications include In Search of Jung: Historical and Philosophical Enquiries and Jung and Eastern Thought: a Dialogue with the Orient. He is currently writing a book on emergence theory.

Abstract: Recent developments in the fields of complexity, self-organising systems and cosmogenesis have revived interest in the anti-reductionist idea of emergence, and this paper will examine some of the implications of this idea for our understanding of the human psyche, with particular reference to Jungian thinking.

ALL WELCOME

Venue: Room 4N.6.1
Time: 5.00pm – 6:30pm

Details of all our Open Seminars can be found at:
http://www.essex.ac.uk/centres/psycho/news_and_seminars/seminars.aspx

For further information or if you are interested in presenting an Open Seminar
please contact: Chris Nicholson, Centre for Psychoanalytic Studies, University of Essex
Tel: 01206 873075 / Email: cpsugrad@essex.ac.uk

Friday, 26 March 2010

Freud: The Secret Passion and IPA Conference

"Freud: The Secret Passion"
screening introduced by Andrea Sabbadini.

30 March 2010
6.30pm - 9.00pm

To coincide with Andreas Hofer's exhibition at the Freud Museum, which includes a series of portraits of Montgomery Clift as Freud, we are pleased to show the rarely seen 1962 John Huston film on which the portraits are based: "Freud: The Secret Passion". The film will be introduced by Andrea Sabbadini, psychoanalyst and founder of the International Psychoanalytic Film Festival.

Please note that the film is 138 mins and in black and white. Only dedicated film buffs should apply!

Suggested donation: £8 / £5 concs. Please pay at the door but phone or email to secure a place.

The Freud Museum, 20 Maresfield Gardens, London NW3 5SX

Tel: 020 7435 2002 Email: info@freud.org.uk

Stay tuned for our next film screenings!

IPA Anniversary Celebration – ‘Contemporary Perspectives on Psychoanalysis’ - March 27, 2010

Celebrating the IPA’s Centenary
The IPA is the world’s primary accrediting and regulatory body for psychoanalysis. It was created in 1910 at the 2nd International Psychoanalytical Congress in Nuremberg. Its mission is to assure the continued vigour and development of psychoanalysis for the benefit of psychoanalytic patients.

Major European event for the Centenary
The major European event for the Centenary of the IPA is in London, UK, in conjunction with the annual EPF Conference.

We invite mental health professionals, scientists and students of medicine, psychology, psychotherapy and cultural disciplines to attend.

Venue:
Sandringham Suite
Hilton London Metropole
255 Edgware Road
London W2 1JU

Participation: Participation is free, but registration is necessary.

Click here for the invitation.

Monday, 8 March 2010

Music, Meaning and Emotion

Tuesday 23rd March 2010 7:00pm

Three talks about what music 'means', and how and why it affects us so profoundly.

Programme:

Kalu Singh
Affects on the track: How do we find words for the meaning of music?
Almost everybody learns some basic terms to appraise literature. So why so few, for most of us, about music? Is it impossible to get past the fundamental fact that instrumental music has no nameable referent, and the emotional puzzle this generates?

Sebastian Skeaping
Music and emotion: A personal inheritance
Do you have to 'know' about music to really appreciate it? What is the importance of musical heritage in musical appreciation? Do words constrict musical feeling?

Roddy Skeaping
Music, Meaning and Emotion .... For People with Dementia
What are the 'affective meanings' and 'meaningful affects' that music articulates and evokes? How does music orchestrate emotions and sediment memories?

Presenters:
Kalu Singh is a former university counsellor: now a civil-servant and freelance writer. His first book Guilt (Icon Ideas in Psychoanalysis) was a Guardian Book of the Year. Innovative essays on Shakespeare, Keats, Dante, Solaris & Gradiva appear on his website: www.philosophykal.co.uk. Over the past decade, he has helped coordinate Freud Museum Conferences on Crying, Midwifery, The Therapist's Body, and on Matte Blanco. He joined the Talking Bob Dylan Society, Cambridge in 1986.

Sebastian Skeaping was born into a family with a rich musical heritage (Roddy Skeaping is his uncle). He obtained a PhD at Cambridge University in 2003 and now runs Thornhill Pianos. His work has taken him to all the major recording studios, concert venues and opera houses in London.

Roddy Skeaping is a performer, instrumental teacher, composer and Nordoff-Robbins music therapist currently working with people with dementia.

Tickets: £8 / £5 Friends. Please pay on the door, but phone or email to secure a place.

Tel: 020 7435 2002 Email: info@freud.org.uk

Monday, 1 March 2010

Postgraduate Conference - Psychoanalysis, Culture and Society

CALL FOR PAPERS

PSYCHOANALYSIS, CULTURE AND SOCIETY

A POSTGRADUATE CONFERENCE

CENTRE FOR PSYCHOANALYSIS
MIDDLESEX UNIVERSITY
LONDON

Saturday, 5TH June, 2010


We are pleased to announce Psychoanalysis, Culture and Society: A
Postgraduate Conference.

We invite postgraduate students and research fellows to submit proposals for papers on psychoanalysis or psychoanalytically informed research. Papers may be from any academic discipline, including psychology, sociology, cultural studies, psychosocial studies, history, literature, art, religious studies or philosophy.

This one-day conference is designed to give postgraduate students from all disciplines who are interested in psychoanalysis an opportunity to present and discuss their research in an informal and intellectually stimulating setting.

The conference takes place at the Hendon Campus of Middlesex University (30 minutes from central London) between 9:30 and 5:30 on Saturday, 5th June, 2009. Tea, coffee and a light lunch will be provided. The conference fee is £30 for presenters and attendees.

Submitting an abstract

Abstracts of 300 words (maximum) should include a title, the name of your university or institution and a telephone number. Papers should be no more than 20 minutes long. A further 10 minutes will be allowed for discussion. Sessions of 1½ hours will have space for three
papers. There will be concurrent panels to accommodate as many papers as possible. The day will end with a plenary.

The deadline for submission of abstracts is Friday, 25th May, 2009. Early submission is appreciated. Abstracts and queries should be sent to: David Henderson, d.henderson@mdx.ac.uk

Centre for Psychoanalysis
Psychology Department
Middlesex University
The Burroughs
Hendon
London
NW4 4BT

Thursday, 18 February 2010

Perspectives on Creativity 2010

an interdisciplinary conference exploring creativity. This year's conference features 15 speakers and a keynote address by Dr. Mark Runco, the Torrance Professor of Creative Studies and director of the Torrance Center.

The conference will be held at Holy Family University in Philadelphia on March 20, 2010. More information, including instructions on how to register for the conference, can be found at
www.holyfamily.edu/sas/creativity

Lynn DellaPietra, Ph.D.
Chair, Social & Behavioral Sciences
Professor, Psychology
Holy Family University
267-341-3328

Tuesday, 26 January 2010

A.P.P.A.C. International Conference

in ATHENS, GREECE

May 4 – 7, 2010 the Athens Hilton Hotel, GREECE

Honorary Presidents: Prof. G. Lyketsos (GR), Prof. Ch. Ierodiakonou (GR) and Prof. Ph. Mazet (FR)

Neuropsychiatric, Psychological and Social Sciences Today

Call for Abstracts!

Dear Colleagues,

Continuing your information on the 15th International Conference of the Association of Psychology & Psychiatry for Adults & Children (A.P.P.A.C.) on May 4 - 7, 2010 at the Athens Hilton Hotel, we would like to inform you on the NEW ABSTRACT SUBMISSION DEADLINE, which is on February 15, 2010.

The theme of the Conference is: “Neuropsychiatric, Psychological and Social Sciences Today”.

We are happy to present to you our brand NEW WEBSITE www.appac.gr (still under construction, but it contains most conference-related information).

We remain at your disposal for any further information you may need.

Sincerely,

The A.P.P.A.C. Secretariat

18 Aigialias str., 15125 Maroussi GREECE
Tel: +30 210 6842 663
Fax: +30 210 6842 079
Conference Secretariat E-mail (1): appachellas@yahoo.gr
Conference Secretariat E-mail (2): congress@appac.gr
Conference Website: www.appac.gr

Monday, 25 January 2010

Psychoanalysis and Modern Music in Freud's Vienna

While Freud famously claimed that he could derive no pleasure from music, and was reputed to have been tone deaf and largely indifferent to the fecund musical culture surrounding him, it is nonetheless indisputable that Freud and psychoanalysis influenced the music and musicians of his Vienna. It is well known that Freud treated a number of Viennese musical luminaries, including Gustav Mahler and Bruno Walter; what is less well known and understood is that Freud's literature and pool of patients made direct and meaningful contact with the composer Arnold Schoenberg and his milieu. Schoenberg, one of the most important composers of the 20th century and the putative father of musical modernism, began to articulate what must be considered a psychoanalytic compositional ethos in the first decade of the 20th century; by 1909, he had composed the ephocal monodrama Erwartung, arguably the first psychoanalytic opera. This talk examines the extent to which Freud's early case histories--especially "Dora"--and texts like The Interpretation of Dreams shaped the advent of modern atonal music in Vienna.

This is the first of three evening talks about music and psychoanalysis. Further information forthcoming.

Tickets: £8 / £5 Friends. Please pay on the door but phone or email to secure a place.

Freud Museum
20 Maresfield Gardens, London NW3 5SX
Tel: +44 (0)20 7435 2002
www.freud.org.uk

Tuesday, 19 January 2010

Call for Papers

MYTH, LITERATURE, AND THE UNCONSCIOUS

Date: 2-4 September, 2010

Venue: Wivenhoe Park Campus, University of Essex, Colchester, UK

An international conference organized by the Centre for Myth Studies at the University of Essex, supported by the Department of Literature, Film, and Theatre Studies and the Centre for Psychoanalytic Studies

The Centre for Myth Studies at the University of Essex is pleased to announce an international conference on “Myth, Literature, and the Unconscious” to be held at the Wivenhoe Park campus, 2-4 September, 2010. We invite proposals for papers (of 20 minutes duration), or panel sessions, dealing with the conjunction of myth, psychoanalysis, and literary-artistic activity. While proposals on any aspect of myth, literary, and psychoanalytic studies are very welcome, the organisers would particularly encourage interdisciplinary contributions. The topics might include, but will not be confined to:
Literary re-inscriptions of myths and mythic patterns
Literature as mythmaking
The significance and meaning of myths in psychoanalytic theory
Myth as the language of the unconscious
Archetypes, symbols, and metamorphoses
Myths in the inner and outer worlds
Dreams, visions, myths
Myth and re-enchantment
The role of myth in medical practice
William Blake and myth
Time, space and the primordial
Myth and modernism

A selection of papers from the conference will be published.

The deadline for proposals is 28 February, 2010. Proposals should take the form of a title for the paper and a 250-word abstract, accompanied by a brief biographical note, including institutional affiliation where appropriate. To submit a proposal, or for more information, please write to Dr Sanja Bahun, Department of Literature, Film, and Theatre Studies, University of Essex, Wivenhoe Park, Colchester, Essex CO4 3SQ or, by e-mail, to mythic@essex.ac.uk.

Note: Thanks to the generosity of the Bean Trust, a limited number of bursaries will be made available to speakers contributing specifically to a panel session on the place that William Blake’s work occupies in the field of myth, literature, and the unconscious. If you are interested in applying for one of these bursaries, please indicate this in your proposal.

Friday, 15 January 2010

Seminar announcement, University of Essex

OPEN SEMINAR

Wednesday 3rd February 2010

David Millar:

'The Manualisation of Persons
vs
The Personalisation of Manuals'

David Millar is a Consultant Child & Adolescent Psychotherapist in the North Essex Partnership (NHS) Trust and Honorary Senior Lecturer in the Centre for Psychoanalytic Studies, University of Essex

Abstract: Mental Health Services are increasingly being depersonalised in a variety of different ways from anonymous internet sites that give formulaic advice to the public to heavily researched treatment manuals that give advice to professionals on how to administer closely defined and proscribed 'therapies'. This paper attempts to look at why such movements are seen as 'progress' and whether and how they should be challenged.

ALL WELCOME

Venue: Room 4N.6.1
Time: 5.00pm – 6:30pm

Information about our Open Seminars can be found at:
http://www.essex.ac.uk/centres/psycho/news_and_seminars/seminars.aspx

For further information or if you are interested in presenting an Open Seminar
please contact:
Chris Nicholson or Alison Evans, Centre for Psychoanalytic Studies, University of Essex
Tel: 01206 873958 / Email: cpsugrad@essex.ac.uk

Thursday, 14 January 2010

Win Hearts and Minds at the Freud Museum

Love is in the air...

With Valentine's Day hoving in to view and fluffy teddies and spangly cards popping up at every turn, we recommend you escape the naff and the nauseous and make your way to the Freud Museum to explore love through a Freudian lens!

With music and games in Freud's extraordinary house, you never know, you just might meet someone interesting...

The event on 11 February will be the first in the series, Lessons in Love, marking the 100th anniversary of Freud's 'Contributions to the Psychology of Love'.

This event has been produced in collaboration with Past Caring, an innovative partnership of museums, archives, and higher education organisations. Follow the link to find out about other mind-expanding events across London.

BOOKING INFORMATION for HEARTS & MINDS

Date: 11 Febuary 2010

Time: 7.30pm - 10.30pm

Venue: Freud Museum, 20 Maresfield Gardens, London, NW3 5SX

Tickets: £10 to include a drink on arrival.
Discount: Friends of the Museum and group bookings of 3 or more: £8

To book: email marion@freud.org.uk, or call ++44 (0)20 7435 2002

Wednesday, 13 January 2010

Lecturing Post at University of Essex

The Centre for Psychoanalytic Studies is seeking to appoint a Lecturer or Senior Lecturer/Reader to teach on and play a major role in the development of its new Foundation Degree (and BA Hons) in Therapeutic Communication and Therapeutic Organisations aimed at those working with troubled, challenging, or vulnerable adults. The successful applicant will help develop a staff team for this programme and work closely with the team staffing a parallel programme for those working with children. Applicants must be a member of the BPC, UKCP, or equivalent, must have a relevant MA/MSc or equivalent professional qualification, and must have experience of working with adults in a therapeutic or caring context. Possession of a doctorate or equivalent level qualification is desirable. The successful applicant will also be expected to contribute to the research profile of the Centre. The post is available either full-time or half-time (with proportionate duties) to suit the needs of different applicants; we aim to appoint the strongest applicant on whichever basis.

Please use the link below for a full job description, person specification and further information relating to this post. Please read this information carefully before applying for this post as it contains details of documents that must be attached to your application. Applications should be made on-line, but if you would like advice or help in making an application, or need information in a different format, please telephone (01206 874588/873521).

http://gs12.globalsuccessor.com/fe/tpl_essex01.asp?newms=jj&id=47835